You should be very proud of your accomplishments as a teacher as well as your artistic talent." - Ron Most of your video modules that range around 12 - 20 minutes, just right in my opinion. Finally, you tell them what they should have learned. You tell them what they are going to be taught. Your teaching mythology is just first rate. "I'm compelled to let you know how impressed I am with your courses, not only as a new art and drawing student but as an individual with years of adult training experience. Your courses provide such a strong base to work off of and develop skills, I plan on using them as reference for the years to come. Your positive and motivational advice and expertise was a blessing and I want to thank you for being the type of person that you are and supporting people's dreams and passions. When I wanted to develop my drawing and art skills your videos were exactly what helped me do so. I applied to The School of the Arts Institute of Chicago and not only got accepted but received a full scholarship & some more. I put together a very strong portfolio and sent off my applications almost 3 months before my expected deadline and already got accepted. I easily created over 30 pieces and took your advice on breaking off from the videos and created my own pieces. With your guidance on portfolios and self direction I was able to finish your Watercolor Workshop, Colored Pencil Course, and start on the Oil Painting Mastery course. I reached out to you a while back regarding art school and I want you to know how much the personal response/video you made for me helped and directed me. "Hi Matt, I wanted to send you a quick thank you email. Matt is an excellent instructor and the videos are hands on, superbly paced, and perfectly executed. Escher was a master at creating drawings where there was no distinction between positive and negative space."This is without a doubt the most amazing online experience I have ever had. However, the shadow under the vase and the triangular grey area on the left of the picture, (indicating the edge of a table(?)), give this otherwise 2D image a sense of 3D form. I suspect that if there were no shadow under the vase, the picture would just look like a flat floral pattern. 1976 Patrick Caulfield 1936-2005 Presented by Bernard Jacobson Gallery 1976 this final picture, the vase and flowers seem to be simplified again, into flat, broad, black outlines and black shapes indicating shadow. The flowers are suggested just by white shapes and by outlining and filling in areas of black shadow. In the Black and White Flower Piece (above) the black parts of the vase blend completely into the black background- although your eye tends to fill in the invisible shape based on the assumption that it will be symmetrical with the other white side of the vase. Vases of Flowers 1962 Patrick Caulfield 1936-2005 Purchased with assistance from the Tate Gallery Publications Department and the Trustees of the Tate Gallery Trust Fund 1976 Black and White Flower Piece 1963 Patrick Caulfield 1936-2005 Purchased with funds provided by the Knapping Fund 1991 In the following three images from vases of flowers are reduced into just flat shapes and silhouettes. His work tends to use flat blocks of colour and clear edges and lines often flattening 3D forms into 2D shapes. Patrick Caulfield (1936-2005) is a 20th century artist who extensively explores the use of negative space in his art. In this picture there is no actual detail of either the figure or the background, but somehow your eye fills in the gaps and almost creates detail that is not there. Using vivid colours evoking the luminosity of stained glass, these cut-outs are a clear example of the use of negative space to suggest form. When ill health prevented Matisse from painting in later life, he began to cut into painted paper with scissors to create outlines that take on sculptural form. I started to research Patrick Caulfield as an example of the use of negative space in art, and was immediately drawn to look at Matisse, by the notes in the course book that he had been one of Caulfield’s major influences. Without negative space, the positive would have no meaning. Negative space is more complex than simply the background of a picture. Positive space refers to the main focus of a picture, while negative space refers to the background.
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